Friday 10 December 2010

A Companion to American Studies - Dennis Welland (ed.)

Dennis Welland (ed.) – The United States: A Companion to American Studies
History – 580 pages – my copy (paperback – Second edition – 1987) bought for 50p from Plymouth Library in October 2010
- 3 nods out of 5 -

Two hundred years of industrious, noteworthy and illustrious history packed under six hundred pages; this companion to American Studies promises on its first opening to appeal to the American-phile. From George Washington down to Ronald Reagan, this book has all on offer. Written and debated include the geography of the USA, a question upon Americanism, immigration into the continent, American wars, the world at large, politics and the media, including – to use a often quoted phrase – much, much more!

Each chapter introduces the crucial elements, walking us through a brief history, followed by some key debates. Although a couple of the writers lag in their enthusiasm – ‘Constitution and Government’ notably – the constant change in writer with each new chapter brings with it fresh and needed change.

It is to America’s understanding of its position as a world leader that creates the most fundamental questions: a people that pride themselves on small government who fund the largest organisations on the entire planet. One paradox of many.

As to be expected – with the book’s editor working as Professor of American Literature for two decades – there is ample space upon fiction, poetry, drama and the arts, and a tad redundant chapter upon American realism.

But despite this over emphasis, the book successfully overviews each of the major topics in American history. But an overview is all the book must remain, an introduction, a companion – but not the real meet that is history or a cultural study. And this edition, printed in 1987, equates more to an old friend; worthy of reminisce, but no longer in the phone book. The world has changed tremendously since 1987; in the twenty first century new companions are needed.

Tuesday 7 December 2010

Voices For Peace - Anna Kiernan (ed.)

Anna Kiernan (ed.) – Voices For Peace (2001)
Essays – 250 pages – my copy (paperback; 2001) bought for £1.99 from Plymouth’s Oxfam Bookshop in November 2010
- 3 nods out of 5 -

Voices For Peace is a collection of essays on the repellent nature war and the struggle and need for harmony. Quickly assembled in the wake of 9-11, and the subsequent bombing of Afghanistan, it warns of the horror of what might befall us. Unluckily, it is this horror that was to unfold in the subsequent Iraq war and Afghanistan occupation.

Notable contributors include Monty Python’s Terry Jones, the novelist Ben Okri and the singer Annie Lennox; but are varied far and wide, including journalists, scientists, business-people and poets – all joined together in their admirable need for peace. The profits of the book, therefore, according with the words, with all profits proceeding to War Child.

Although many of the essays are gleamed from newspaper articles, there remain gems and highlights. There is Dominique Lapierre’s ‘Redressing the Balance’, who asks us to remain the seeds of the 9-11 discontent, and Suheir Hammad’s excellent prose on the aftermath of the Twin Towers attack, in which she notes:

There is death here, and there are promise of more
There is life here.
Anyone reading this is breathing, maybe hurting, but breathing for sure.
And if there is any light to come, it will shine from the eyes of those who look for peace and justice after the rubble and rhetoric are cleared and the phoenix has risen.
Affirm life.
Affirm life.
We got carry each other now.
You are either with life, or against it.
Affirm life.

The road of peace is a harder one to walk than that of war. War brings with it instantaneous glory, despite the lasting recrimination. And here we are, a decade later: war torn and lost. It is time again to affirm life.

Voices For Peace is no longer available on bookshelves; but perhaps the local charity shop will hold a copy, ready for saving. Within its pages are 5 nodder sentiments, with a 3 nodder overall quality.

Thursday 2 December 2010

Natural Born Killers - Quentin Tarantino

Quentin Tarantino – Natural Born Killers
Screenplay – 120 pages – my copy (paperback; 1995) a present from my sister at Xmas 1996
- 3 nods out of 5 -

Natural Born Killers was an early Quentin Tarantino script, written before Reservoir Dogs and Pulp Fiction, this is Tarantino at his bloodiest and most perverse. The story follows the love of Mickey and Mallory – a modern Bonnie and Clyde – but with modern guns and more guts. Their attachment to one another brings them against the world in a gun shooting and knife slashing bender of mayhem.

The script was picked up by Oliver Stone, who filmed what many consider a cult classic; but such are the differences between script and movie that it allows Tarantino’s script to remain as a standalone read. Yes, the film kept the essence of Mickey and Mallory alive, but it also lost much of Tarantino’s earlier message: of the underestimation of dedication, and the shaky hyperbole of the modern media.

Of course, at no point does Tarantino get “that deep.” Natural Born Killers is a shoot ‘em flick, first and foremost. But his showing of America’s fascination with the couple’s murderous rampage and their deification in the eyes of even their victims satirises modern TV and shows Tarantino’s love and repulsion of today’s culture.

The script holds a certain charm. This is before Tarantino’s fame and before his later off boil films (Death Proof anyone?). Here is the usual flaring of pop cultural references, of music and of film; the burger bars and the eating of pies; of Mexican shoot-outs and indiscriminate deaths. And along with this is the slick dialogue that made Tarantino’s early films so unique and loved by quoters everywhere.

A filmed version in Tarantino’s mode could have brought greater results than Stone’s finalisation. More than likely it would not be considered a classic; but rather more of a comment of today’s culture, all the while satisfying the blood lust of the average cinema goer. As it remains, Tarantino’s vision is kept bound in script form: a fix for the fan who is left empty by the director’s recent releases.

Read the script here today:
http://www.godamongdirectors.com/scripts/killers.shtml